Early in the new year, Gaye recorded a new arrangement, but again, it stayed in the Hitsville vaults. Producer Whitfield then turned to Gladys Knight and the Pips, with great success. Other Motown acts including the Temptations and Bobby Taylor also cut the tune, but Whitfield was still determined to make it a hit for Gaye. He and Whitfield collaborated on the brooding, intense version, and when radio station WVON in Chicago started playing it as an album track, the phones went crazy.
Log in or Sign up. Steve Hoffman Music Forums. Location: Overland Park, Kansas. Like most of you, I have what seems like near countless versions of this classic track as mastered by different mastering engineers.
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